{"id":3587,"date":"2016-09-30T15:30:36","date_gmt":"2016-09-30T15:30:36","guid":{"rendered":"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/?p=3587"},"modified":"2016-09-30T15:30:36","modified_gmt":"2016-09-30T15:30:36","slug":"boggs-musical-3-1","status":"publish","type":"post","link":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/boggs-musical-3-1\/","title":{"rendered":"Boggs"},"content":{"rendered":"<p><a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/creative-works-volume-3-issue-1\/\">Creative Works Index (3.1)<\/a><\/p>\n<p><strong><span style=\"font-family: georgia,palatino; font-size: 16pt;\">Signs of the Times: Volume 3, Issue 1, Spring 2016<\/span><\/strong><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-335\" src=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2014\/03\/creative_bar.png\" alt=\"creative works divider\" width=\"400\" height=\"10\" srcset=\"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2014\/03\/creative_bar.png 400w, https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2014\/03\/creative_bar-300x7.png 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<p><a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/boggs-abstract-3-1\/\">Abstract<\/a> | Musical Recording | <a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/boggs-biographical-3-1\/\">Biographical Note<\/a><\/p>\n<h4>Lake Kentucky: A crossroads of sacred text, popular protest, and folk aesthetics<\/h4>\n<p>George L. Boggs<\/p>\n<h4>Musical Recording<\/h4>\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-3587-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2016\/09\/Lake-Kentucky-Boggs.wav?_=1\" \/><a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2016\/09\/Lake-Kentucky-Boggs.wav\">http:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2016\/09\/Lake-Kentucky-Boggs.wav<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"<p>Creative Works Index (3.1) Signs of the Times: Volume 3, Issue 1, Spring 2016 Abstract | Musical Recording | Biographical Note Lake Kentucky: A crossroads of sacred text, popular protest, and folk aesthetics George L. Boggs Musical Recording<\/p>\n","protected":false},"author":1,"featured_media":414,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":""},"categories":[6],"tags":[],"jetpack_featured_media_url":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2014\/04\/Creative_Works_Small.png","_links":{"self":[{"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/posts\/3587"}],"collection":[{"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/comments?post=3587"}],"version-history":[{"count":1,"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/posts\/3587\/revisions"}],"predecessor-version":[{"id":3599,"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/posts\/3587\/revisions\/3599"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/media\/414"}],"wp:attachment":[{"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/media?parent=3587"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/categories?post=3587"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/tags?post=3587"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}