{"id":3283,"date":"2016-09-04T18:56:06","date_gmt":"2016-09-04T18:56:06","guid":{"rendered":"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/?page_id=3283"},"modified":"2020-11-03T15:42:02","modified_gmt":"2020-11-03T15:42:02","slug":"creative-works-volume-3-issue-1","status":"publish","type":"page","link":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/creative-works-volume-3-issue-1\/","title":{"rendered":"Creative Works"},"content":{"rendered":"<p><a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/volume-3-number-1\/\">Issue 3.1<\/a><\/p>\n<p style=\"text-align: left;\"><strong><span style=\"font-family: georgia,palatino; font-size: 16pt;\">Signs of the Times: Volume 3, Issue 1, Spring 2016<\/span><\/strong><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-335\" src=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2014\/03\/creative_bar.png\" alt=\"creative works divider\" width=\"400\" height=\"10\" srcset=\"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2014\/03\/creative_bar.png 400w, https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2014\/03\/creative_bar-300x7.png 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><br \/>\n<a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/mcgrail-creative-editorial-3-1\/\">Editorial<\/a> | <a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/creative-works-volume-3-issue-1\/#semiotic-3-1\">Semiotic Compositions<\/a> | <a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/creative-works-volume-3-issue-1\/#musical-3-1\">Musical Compositions<\/a> |\u00a0 <a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/creative-works-volume-3-issue-1\/#literary-3-1\">Literary Compositions<\/a><\/p>\n<p><span class=\"Apple-style-span\" style=\"font-family: Bitter, Georgia, serif; font-size: 30px; font-weight: bold; line-height: 39px; color: #000000;\"><a id=\"semiotic-3-1\"><\/a>Semiotic Compositions<\/span><\/p>\n<p>Click the image for a larger view and more information about the artwork.<\/p>\n<table>\n<tbody>\n<tr>\n<td style=\"width: 500px; text-align: center; vertical-align: top;\" valign=\"top\">\n<p style=\"text-align: left;\"><a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/shitabata-photography-3-1\/\"><img loading=\"lazy\" class=\"alignnone wp-image-3485 size-medium\" src=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2016\/09\/Coney_Island_Red_Box-217x300.png\" alt=\"coney_island_red_box\" width=\"217\" height=\"300\" srcset=\"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2016\/09\/Coney_Island_Red_Box-217x300.png 217w, https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2016\/09\/Coney_Island_Red_Box.png 397w\" sizes=\"(max-width: 217px) 100vw, 217px\" \/><\/a><strong><br \/>\nConey Island Red Box<\/strong><br \/>\nRussell H. Shitabata<br \/>\n<a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/shitabata-abstract-3-1\/\">Abstract<\/a> | <a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/shitabata-photography-3-1\/\">Photography<\/a> | <a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/shitabata-biographical-3-1\/\">Biographical Note<\/a><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div>\n<p><img loading=\"lazy\" src=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2014\/03\/creative_bar.png\" alt=\"creative_bar\" width=\"400\" height=\"10\" \/><\/p>\n<h2><a id=\"musical-3-1\"><\/a>Musical Compositions<\/h2>\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-3283-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2016\/09\/Lake-Kentucky-Boggs.wav?_=1\" \/><a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2016\/09\/Lake-Kentucky-Boggs.wav\">http:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2016\/09\/Lake-Kentucky-Boggs.wav<\/a><\/audio>\n<table>\n<tbody>\n<tr>\n<td><strong>Lake Kentucky: A crossroads of sacred text, popular protest, and folk aesthetics<\/strong><br \/>\nGeorge L. Boggs<br \/>\n<a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/boggs-abstract-3-1\/\">Abstract<\/a> | <a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/boggs-musical-3-1\/\">Musical Recording<\/a> | <a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/boggs-biographical-3-1\/\">Biographical Note<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><img loading=\"lazy\" src=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2014\/03\/creative_bar.png\" alt=\"creative_bar\" width=\"400\" height=\"10\" \/><\/p>\n<h2><a id=\"literary-3-1\"><\/a>Literary Compositions<\/h2>\n<\/div>\n<div>\n<table>\n<tbody>\n<tr>\n<td><strong>The Envelope<\/strong><br \/>\nTed B. Kesler<br \/>\n<a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/kesler-3-1\/\">Full Text<\/a> | <a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/kesler-biographical-3-1\/\">Biographical Note<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Sucker Punch<br \/>\n<\/strong>David Harscheid<br \/>\n<a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/harscheid-3-1\/\">Full Text<\/a> | <a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/harscheid-biographical-3-1\/\">Biographical Note<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<p><img loading=\"lazy\" class=\" size-full wp-image-501 aligncenter\" src=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2014\/04\/colorBar.png\" alt=\"color bar\" width=\"1000\" height=\"5\" srcset=\"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2014\/04\/colorBar.png 1000w, https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2014\/04\/colorBar-300x1.png 300w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Issue 3.1 Signs of the Times: Volume 3, Issue 1, Spring 2016 Editorial | Semiotic Compositions | Musical Compositions |\u00a0 Literary Compositions Semiotic Compositions Click the image for a larger view and more information about the artwork. Coney Island Red Box Russell H. Shitabata Abstract | Photography | Biographical Note Musical Compositions Lake Kentucky: A &hellip; <a href=\"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/creative-works-volume-3-issue-1\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Creative Works<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":414,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"_links":{"self":[{"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/3283"}],"collection":[{"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/comments?post=3283"}],"version-history":[{"count":10,"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/3283\/revisions"}],"predecessor-version":[{"id":3507,"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/3283\/revisions\/3507"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/media\/414"}],"wp:attachment":[{"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/media?parent=3283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}