{"id":2452,"date":"2015-06-10T23:23:04","date_gmt":"2015-06-10T23:23:04","guid":{"rendered":"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/?page_id=2452"},"modified":"2020-11-03T15:42:02","modified_gmt":"2020-11-03T15:42:02","slug":"creative-works-volume-2-issue-1","status":"publish","type":"page","link":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/creative-works-volume-2-issue-1\/","title":{"rendered":"Creative Works"},"content":{"rendered":"<p><a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/volume-2-number-1\/\">Issue 2.1<\/a><\/p>\n<p style=\"text-align: center;\"><strong><span style=\"font-family: georgia,palatino; font-size: 16pt;\">Multimedia Writing in the Classroom and Beyond: Volume 2, Issue 1, Spring 2015<\/span><\/strong><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-335\" src=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2014\/03\/creative_bar.png\" alt=\"creative works divider\" width=\"400\" height=\"10\" srcset=\"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2014\/03\/creative_bar.png 400w, https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2014\/03\/creative_bar-300x7.png 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<p><a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/mcgrail-creative-editorial-2-1\/\">Editorial<\/a>\u00a0 | \u00a0<a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/creative-works-volume-2-issue-1\/#semiotic-2-1\">Semiotic Compositions<\/a>\u00a0 |\u00a0 <a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/creative-works-volume-2-issue-1\/#literary-2-1\">Literary Compositions<\/a><\/p>\n<p><span class=\"Apple-style-span\" style=\"font-family: Bitter, Georgia, serif; font-size: 30px; font-weight: bold; line-height: 39px; color: #000000;\"><a id=\"semiotic-2-1\"><\/a>Semiotic Compositions<\/span><\/p>\n<p>Click the image for a larger view and more information about the artwork.<\/p>\n<table>\n<tbody>\n<tr>\n<td style=\"width: 500px; text-align: center; vertical-align: top;\" valign=\"top\"><a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/bodle-beverly-dredger-foucar-szocki-harris-kang-loveless-shaeffer-thall-wishon-painting-2-1\/\"><img loading=\"lazy\" class=\"alignnone wp-image-2590 size-large\" src=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2015\/06\/110-453-1-RV-posterLarge-1024x523.jpg\" alt=\"Painting in Photography\" width=\"604\" height=\"308\" srcset=\"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2015\/06\/110-453-1-RV-posterLarge-1024x523.jpg 1024w, https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2015\/06\/110-453-1-RV-posterLarge-300x153.jpg 300w\" sizes=\"(max-width: 604px) 100vw, 604px\" \/><\/a><br \/>\n<strong>Lessons in Vulnerability<\/strong><br \/>\nAaron Bodle, Cheri Beverly, Katie Dredger, Diane Foucar-Szocki, Teresa Harris, Shin Ji Kang, Douglas Loveless, Margaret B. Shaeffer, Jane Thall, and Phil Wishon<br \/>\n<a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/bodle-beverly-dredger-foucar-szocki-harris-kang-loveless-shaeffer-thall-wishon-abstract-2-1\">Abstract<\/a>\u00a0 |\u00a0 <a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/bodle-beverly-dredger-foucar-szocki-harris-kang-loveless-shaeffer-thall-wishon-painting-2-1\">Painting in Photography<\/a>\u00a0 |\u00a0 <a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/bodle-beverly-dredger-foucar-szocki-harris-kang-loveless-shaeffer-thall-wishon-biographical-2-1\">Biographical Note<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div>\n<p><br class=\"wpview-selection-before\" \/><img loading=\"lazy\" src=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2014\/03\/creative_bar.png\" alt=\"creative_bar\" width=\"400\" height=\"10\" \/><\/p>\n<h2><a id=\"literary-2-1\"><\/a>Literary Compositions<\/h2>\n<\/div>\n<div>\n<table>\n<tbody>\n<tr>\n<td><strong>Mozart at St. Luke\u2019s<\/strong><br \/>\nTheron Montgomery<br \/>\n<a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/montgomery-poem-2-1\/\">Full Text<\/a>\u00a0 |\u00a0 <a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/montgomery-biographical-2-1\/\">Biographical Note<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Meditation for Graduation\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><br \/>\nDavid L. Keiser<br \/>\n<a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/keiser-poem-2-1\/\">Full Text<\/a>\u00a0 |\u00a0 <a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/keiser-biographical-2-1\/\">Biographical Note<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>The Social Circuit<\/strong><br \/>\nSara E. Omer<br \/>\n<a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/omer-full-text-2-1\/\">Full Text<\/a>\u00a0 |\u00a0 <a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/omer-author-2-1\/\">Author Talk<\/a>\u00a0 |\u00a0 <a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/omer-biographical-2-1\/\">Biographical Note<\/a><br \/>\nAs told in second person in the distant future, you unintentionally start a social rebellion for androids and cyborgs. You befriend social outcasts at your school, watch robots create art, and change your opinions on equality and humanity. Your social media profile, and what ultimately amounts to a retweet, make you a celebrity and spark a tumultuous revolution and reform. (<a href=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/omer-full-text-2-1\/\">READ MORE<\/a>).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<p><img loading=\"lazy\" class=\" size-full wp-image-501 aligncenter\" src=\"http:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2014\/04\/colorBar.png\" alt=\"color bar\" width=\"1000\" height=\"5\" srcset=\"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2014\/04\/colorBar.png 1000w, https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-content\/uploads\/2014\/04\/colorBar-300x1.png 300w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Issue 2.1 Multimedia Writing in the Classroom and Beyond: Volume 2, Issue 1, Spring 2015 Editorial\u00a0 | \u00a0Semiotic Compositions\u00a0 |\u00a0 Literary Compositions Semiotic Compositions Click the image for a larger view and more information about the artwork. Lessons in Vulnerability Aaron Bodle, Cheri Beverly, Katie Dredger, Diane Foucar-Szocki, Teresa Harris, Shin Ji Kang, Douglas Loveless, &hellip; <a href=\"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/creative-works-volume-2-issue-1\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Creative Works<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":414,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"_links":{"self":[{"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/2452"}],"collection":[{"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/comments?post=2452"}],"version-history":[{"count":19,"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/2452\/revisions"}],"predecessor-version":[{"id":2855,"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/pages\/2452\/revisions\/2855"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/media\/414"}],"wp:attachment":[{"href":"https:\/\/ed-ubiquity.gsu.edu\/wordpress\/wp-json\/wp\/v2\/media?parent=2452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}